Well, let me amend that. Halfway or more through the story there’s a (mercifully!) short scene where the two main characters go to a restaurant and have a meal. (One later pukes as a result of this repast.) This scene feels about right in its length; unlike anything that came before, it doesn't wear out its welcome. And to be fair, the film’s torpid pace picks up thereafter and there are a few later scenes that don’t feel torturously and ineptly dragged out.

Written and directed by Toronto-based filmmaker Pavan Moondi, “Sundowners” concerns two thirtysomething Canadian friends who get an assignment to go photograph a wedding in sunny Mexico. Alex (Phil Hanley) is a photographer by profession but seems very discouraged by his circumstances and prospects. When his cartoonishly boorish boss (Tim Heidecker) gets him the Mexico gig, Alex enlists his similarly disaffected pal Justin (Luke Lalonde) to come along as his assistant.

I can tell you very simply the two reasons this movie is particularly bad. First, though Hanley and Lalonde seem like they might be very agreeable guys to have a drink with, they have no experience as screen actors; this is the first movie for both (Hanley is a comedian, Lalonde a musician). Second, and most crucially, they were allowed or encouraged to improvise.

I think I can hear the groans from thousands of filmmakers who read those words. As most people with experience in this art well know, improvised movies generally suck. If you have brilliant, practiced improvisers like Steve Martin and Chevy Chase, maybe not so much. But even those guys wisely depended on good scripts. Put newcomers like the two here in front of a camera, allow them to improvise and then, after your first three editors commit suicide, you end up with a movie in which every scene feels too long.

It takes 26 minutes for the movie to reach Mexico. Most movies with this one’s premise would dispatch with the Canadian set-up in five to seven brisk minutes, then head for the sun. “Sundowners” dithers through nearly a third of its length by having extended scenes between Alex and his boss where the basic points are made quickly, then the scene drags on and on. Then there’s the scene where Justin is confronted by his bitter ex-girlfriend; they have an argument that connects with nothing else in the movie but will test most viewers’ patience to the limit.

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