7. Megalomaniacal villains. There is a terrific early appearance of the arch-terrorist Renard (Robert Carlyle). His oversized skull rises from the floor in a hologram, and then takes on flesh. M explains that a bullet in his brain is gradually robbing him of his senses, but that "he'll grow stronger every day until he dies." Bond walks around the hologram and reaches inside Renard's head to trace the path of the bullet. Another villain is played by Robbie Coltrane, who gets mileage out of always seeming like he'd really prefer to be a nice guy.
8. Locations. Not simply the oil field of Azerbaijan, but Frank Gehry's new Guggenheim Museum in Bilbao, Spain, which figures in a nifty opening sequence, and the Millennium Dome on the banks of the Thames, which becomes a landing pad after a balloon explodes. Also a Hindu holy place with flames that never die.
9. Weird ways to die. How about vivisection by helicopter-borne rotary tree-trimming blades? Or garroting in an antique torture chair? 10. Sensational escapes. There is nothing like a Bond picture to make you believe a man can safely bungee-jump from a tall building, after tying one end of a window shade cord to his belt and the other end to an unconscious body.
All of these elements are assembled by director Michael Apted and writers Neal Purvis, Robert Wade and Bruce Feirstein into a Bond picture that for once doesn't seem like set pieces uneasily glued together, but proceeds in a more or less logical way to explain what the problem and solution might be. Bond's one-liners seem more part of his character this time, and Carlyle's villain emerges as more three-dimensional and motivated, less of a caricature, than the evildoers in some of the Bond films.
My favorite moment? A small one, almost a throwaway. The movie answers one question I've had for a long time: How do the bad guys always manage to find all their equipment spontaneously, on remote locations where they could not have planned ahead? After the snow chase sequence, a villain complains morosely that the para-sails were rented, and "were supposed to be returned."
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